23 Chapter 6.2: Etruscan Temples, Sculpture, and Jewelry

ETRUSCAN TEMPLES

Like the Greeks the Etruscans built majestic temples for their deities. Considered houses for the gods and goddesses they housed statues of them. We study Etruscan temples from models, since none survive. Fortunately, the Roman architect Vitruvius provided detailed descriptions of their appearance. Additionally, some information can be gleaned by their foundations, which were made of more permanent materials. While at first glance they may appear to resemble Greek temple architecture closely, there are some significant differences.

Reconstruction of 6th Century Etruscan Temple according to Vitruvius. Credit: Steven Zucker, Smarthistory. CC BY NC SA.

Etruscan Temples TASK

The videos below introduce the basic features of the Etruscan temple, describing their layout, materials, and distinctive features. After viewing the videos, please respond to the following questions.

Art History: We Learn Etruscan Temple

Etruscan Temples

Etruscan Temples TASK prompts:

What are the two main parts of the Etruscan temple and what do each consist of?

Why are there several cellas?

What material were the different parts of the temple made of?

What influenced their choice of materials?

On what did the temple rest and how was it accessed?

How was the roof decorated?

How do they differ from Greek temples?

ETRUSCAN SCULPTURE

The Etruscans created large scale sculptures in bronze and terracotta and were masters at these materials. The videos in this section introduce some of the most famous examples of Etruscan function, discussing their style, technique, and function.

From the description by the Metropolitan Museum of Art: "This statue, perhaps the best-known Etruscan figural bronze in the Museum's collection, was produced at one of the major bronze working centers, probably Vulci or Chiusi. The artist was clearly inspired by archaic Greek korai, votive statues of young women, a connection especially noticeable in the typical frontal pose with right hand extended and left hand holding the garment. However, the sculptor was not especially concerned about the accurate depiction of costume. The Greek himation (cloak), for example, is misrepresented." (MET, 2021).

Bonze statuette of a young woman, Etruscan, late 6th century B.C.E. Metropolitan Museum of Art. Public Domain.

Estruscan Sculpture TASK 1

Apulu (Apollo of Veii) 

Estruscan Sculpture TASK prompt:

What was this sculpture’s original location and how did it function in that context?

What are the distinctive traits of this sculpture?

How does it compare to Greek Archaic art?

Etruscan Sculpture TASK 2 

Sarcophagus of the Spouses (Rome)

Etruscan Sculpture TASK 2 prompts:

What are the distinctive stylistic qualities of the figures?

How do the figures compart to Greek Archaic art?

What technique was used to create such a large terracotta work?

What were they holding?

Where was this originally located?

ETRUSCAN JEWELRY

The various videos emphasized the importance of metals to the Etruscan economy and the arts. Etruscan artists were highly skilled metalsmiths, creating large scale bronze sculptures and small, ornate pieces of jewelry. The techniques employed in making jewelry reflect a knowledge of the Near East.

From the description of the Metropolitan Museum of Art: "The tomb group represents one of the richest and most impressive sets of Etruscan jewelry ever found. It comprises a splendid gold and glass pendant necklace, a pair of gold and rock-crystal disk earrings, a gold dress fastener (fibula) decorated with a sphinx, a pair of plain gold fibulae, a gold dress pin, and five finger rings. Two of the rings have engraved scarabs that revolve on a swivel bezel; one is decorated with embossed satyr heads, and the other two have decorated gold bezels" (MET, 2021).
Set of Etruscan jewelry, early 5th century B.C.E. Metropolitan Museum of Art. Public Domain.

Etruscan Jewelry TASK

Like ancient Egyptian tombs, Etruscan tombs were frequently plundered. When discovered the Regolini-Galassi tomb retained its original treasures and provided valuable information on the content of Etruscan tombs. The short essay below highlights one of the most extraordinary objects from the tomb, the Parade fibula. After reading the essay, please respond to the accompanying question.

The Regolini-Galassi tomb and the Parade fibula

The Regolini-Galassi tomb and the Parade Fibula

Etruscan Jewelry TASK prompt:

What techniques were used to create the Parade fibula and where did they originate?

What three parts comprise the work?

What motifs reference the afterlife?

What refers to royalty?

What does this communicate about Etruscan elites?

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Survey of Western Art History I Copyright © 2022 by Amy Morris is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License, except where otherwise noted.

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